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Time-based

Performing: Push-Ups

iPhone set into the wall playing a looped video (with sound), Video is 00:03:44 (with sound) During this looping video, the model stares at the camera and smiles as he completes push-ups.

Carly Slade, “The married couple (a still from the performance ‘Our Big Day’ on Valentine’s Day 2009) “

Clay Medium + Carly Slade, love, mixed media

Carly Slade on her wedding day with Clay Medium

Carly Slade, “Rat Race (installation view)”

Ceramic, wood, found and refurbished casino light, RC car chassis and remotes, mixed media Photo credit: Aaron Paden

Carly Slade, Race Race ceramic sculpture art installation. Ceramic RC cars on a wooden slot car track

Foodscapes: From Seed to Mouth, Thesis Exhibition, Installation view

This thesis presents gardening, picking food and eating as enjoyable steps towards the reclamation of the food system. Participants select and harvest food from the tile based vertical garden + then prepare the items together at the preparation station, talking about the food before us and food in general. Lastly, the participant will choose a […]

This thesis presents gardening, picking food and eating as enjoyable steps towards the reclamation of the food system.

Participants select and harvest food from the tile based vertical garden + then prepare the items together at the preparation station, talking about the food before us and food in general. Lastly, the participant will choose a plate and sit to dine. These steps are such as to implicate the viewer in a seasonal garden landscape, the labour and bodily engagement of cooking, and a community connection in eating.

Plants, soils and seeds have been dug up from UF Organic Garden Co-Op, Field and Fork Farm and Gardens ,Swallowtail Farm, Alachua County Feed & Seed, Forage Farm and my home garden.

HOMEMAKER (tea table)

Forrest Sincoff Gard, “Welcome Home”

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Forrest Sincoff Gard, “Welcome Home”

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Slip-cast porcelain, underglaze, fired in an electric kiln to cone 6, cast foam, wood, audience participation, Size Varies~ 20’ L x 12’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Forrest Sincoff Gard, “Can you help me with the dishes?”

Slip-cast porcelain, glaze, fired in an electric kiln to cone 6, gold luster, stainless steel sink, mixed media, audience participation, Size varies ~ 8’ L x 8’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Slip-cast porcelain, glaze, fired in an electric kiln to cone 6, gold luster, stainless steel sink, mixed media, audience participation, Size varies ~ 8’ L x 8’ W x 8’ H (feet), 2014, Photo: Kristine Condon

Misanthropocene

Each sculpture is playing audio and 4 out 6 are playing video in the mouth sections Visitors are invited to site in the center and be consumed by the cacophony of loud audio and video Videos are found clips on youtube and played in a slowed down version of Michael Jackson’s We are the World

Each sculpture is playing audio and 4 out 6 are playing video in the mouth sections
Visitors are invited to site in the center and be consumed by the cacophony of loud audio and video
Videos are found clips on youtube and played in a slowed down version of Michael Jackson’s We are the World

Swatches of Heaven and Hell Installation

Audio from the video(excerpt in next submission) is playing thru loud speakers embedded in the ceramic sculptures. Pink viscous substance slowly emanates out of the sculptures throughout the opening night and following days of the exhibition. Constantly moving viscous substance is meant to challenge a traditional reading of this installation. Image courtesy of Wick Gallery, […]

Audio from the video(excerpt in next submission) is playing thru loud speakers embedded in the ceramic sculptures.  Pink viscous substance slowly emanates out of the sculptures throughout the opening night and following days of the exhibition.  Constantly moving viscous substance is meant to challenge a traditional reading of this installation.  Image courtesy of Wick Gallery, Brooklyn.

Full Video is 8:28 and is integrated into an installation. Appropriated spoken text and imagery is in the background of a sculptural ceramic container expelling waste which can be compared to the sculptures in the installation. Themes of longing, homesickness, and the sea are brought together in this collaged video display

video clip can be found here: https://vimeo.com/299068053

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