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Performance

Say Their Names (Against Oblivion)

At the recent NCECA 2023 conference in Ohio, I recited the names of over 500 protestors and civilians who were killed during the recent uprising in Iran. I memorized their names, using my body as a cradle of remembrance to keep their spirits alive. However, as my body is fragile and ephemeral, I found solace […]

Ceramic Vessels and Performance

Bite

I draw inspiration from Islamic art and indigenous rituals for this artwork. I bite into plates I created from clay sourced across the US. Biting deep into the plates is a tactile approach to establishing my identity as a Middle Eastern woman. With this act, I unearth the buried histories to transcend colonial narratives within […]

Bite, Performance, Ceramic Objects and Video, Since 2021

Seed Collector Series: No. 1 Anise Hyssops

Slip cast and hand built porcelain, iron stoneware,  marbled reclaimed clay & post consumer glaze/underglaze conglomerate material and sink sludge, leather, glass & Plant matter.

A sculptural Vessel made for seed drying and saving. Comprised of a deep iron rich clay basin embedded in marbled clay and postconsumer glaze waste material, that is propped up on 3 mushroom like feat. The feat extend past the lip of the basin, and support three slip cast, white porcelain bones that are bound together at the top with leather lattice work, which allows the Anise Hyssops to dangle freely, dry and release its seeds into the basin. A little pour spout directs the seeds when ready to gather and deposit into a container for safe storage.

Seed Bank Diagram Bisection (MT Granite Design)

This is a sculptural diagram of the bisection of the MT Granite Design Seed Bank. It exhibits the double walled, inner seed capsule that helps to regulate the seed’s temperature (which should stay around 50-60 degrees Fahrenheit when buried below permafrost). The Seed Bank Project is a multi-era, multi-disciplinary project meant to span decades, cultures […]

This is a sculptural diagram of the bisection of the MT Granite Design Seed Bank. It exhibits the double walled, inner seed capsule that helps to regulate the seed's temperature (which should stay around 50-60 degrees Fahrenheit when buried below permafrost). The Seed Bank Project is a multi-era, multi-disciplinary project meant to span decades, cultures and (hopefully) climate phenomena here on planet earth. Hand-made, double-walled porcelain seed vessels are given out to collaborators, who then fill them with seeds that have precious ecological and culturalsignificance to the region in which they call home. The banks are completely autonomous from human maintenance, meaning theyare specifically designed to control the interior seed capsule’s humidity, light and temperature when buried below permafrostutilizing both ancient and modern technologies. The screw top cap is sealed with beeswax to ensure no moisture or light can reach the seeds. This sustains the seed’s ability to stay viable for as long as its’ DNA will allow.

All Together Now

All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glaze fired […]

All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All these porcelain screened images were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glazed fired transfer decals. The nesting pitchers, are my own designs, first created in plaster, then cast from positive plaster forms for slip casting. Silkscreens of my sketches were screened directly on the 2 orchestra pieces. The violinist is Pinchus Zuckerman, conductor is me, with my creative license. At the piano with the singer image, the soprano is Renee Fleming. The 2 screened images are included in the "500 Prints on Clay" Lark publication ©2013. The nesting pitchers were included in an ICAN ceramic calendar.

Valley

Emily Irvin

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  • © Artaxis Organization Inc. 2005-2026

    © Artaxis Organization Inc. 2005-2026