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Performance

Foot Follows Shades

Ongoing project(2023-) Foraged wild clay from DC, MD, VA, SC, NC, TN, DE, NJ, PA, NY, CT, MA, IL, ND, and MT

Foodscapes: From Seed to Mouth, Thesis Exhibition, Installation view

This thesis presents gardening, picking food and eating as enjoyable steps towards the reclamation of the food system. Participants select and harvest food from the tile based vertical garden + then prepare the items together at the preparation station, talking about the food before us and food in general. Lastly, the participant will choose a […]

This thesis presents gardening, picking food and eating as enjoyable steps towards the reclamation of the food system.

Participants select and harvest food from the tile based vertical garden + then prepare the items together at the preparation station, talking about the food before us and food in general. Lastly, the participant will choose a plate and sit to dine. These steps are such as to implicate the viewer in a seasonal garden landscape, the labour and bodily engagement of cooking, and a community connection in eating.

Plants, soils and seeds have been dug up from UF Organic Garden Co-Op, Field and Fork Farm and Gardens ,Swallowtail Farm, Alachua County Feed & Seed, Forage Farm and my home garden.

Drumbakfiets from the Bikelsile collaboration

The Drumbakfiets was created in collaboration with Bicycle mechanic Brian McDermott, and with the consultation of Doug Kruger seen playing the drums. The cargo bike portion was made from a discarded wallmart mountian bike, a used bed frame, a discarded kids BMX fork, a piece of box tube steel, a broken mid century chair, a […]

Say Their Names (Against Oblivion)

At the recent NCECA 2023 conference in Ohio, I recited the names of over 500 protestors and civilians who were killed during the recent uprising in Iran. I memorized their names, using my body as a cradle of remembrance to keep their spirits alive. However, as my body is fragile and ephemeral, I found solace […]

Ceramic Vessels and Performance

Bite

I draw inspiration from Islamic art and indigenous rituals for this artwork. I bite into plates I created from clay sourced across the US. Biting deep into the plates is a tactile approach to establishing my identity as a Middle Eastern woman. With this act, I unearth the buried histories to transcend colonial narratives within […]

Bite, Performance, Ceramic Objects and Video, Since 2021

Seed Collector Series: No. 1 Anise Hyssops

Slip cast and hand built porcelain, iron stoneware,  marbled reclaimed clay & post consumer glaze/underglaze conglomerate material and sink sludge, leather, glass & Plant matter.

A sculptural Vessel made for seed drying and saving. Comprised of a deep iron rich clay basin embedded in marbled clay and postconsumer glaze waste material, that is propped up on 3 mushroom like feat. The feat extend past the lip of the basin, and support three slip cast, white porcelain bones that are bound together at the top with leather lattice work, which allows the Anise Hyssops to dangle freely, dry and release its seeds into the basin. A little pour spout directs the seeds when ready to gather and deposit into a container for safe storage.

Seed Bank Diagram Bisection (MT Granite Design)

This is a sculptural diagram of the bisection of the MT Granite Design Seed Bank. It exhibits the double walled, inner seed capsule that helps to regulate the seed’s temperature (which should stay around 50-60 degrees Fahrenheit when buried below permafrost). The Seed Bank Project is a multi-era, multi-disciplinary project meant to span decades, cultures […]

This is a sculptural diagram of the bisection of the MT Granite Design Seed Bank. It exhibits the double walled, inner seed capsule that helps to regulate the seed's temperature (which should stay around 50-60 degrees Fahrenheit when buried below permafrost). The Seed Bank Project is a multi-era, multi-disciplinary project meant to span decades, cultures and (hopefully) climate phenomena here on planet earth. Hand-made, double-walled porcelain seed vessels are given out to collaborators, who then fill them with seeds that have precious ecological and culturalsignificance to the region in which they call home. The banks are completely autonomous from human maintenance, meaning theyare specifically designed to control the interior seed capsule’s humidity, light and temperature when buried below permafrostutilizing both ancient and modern technologies. The screw top cap is sealed with beeswax to ensure no moisture or light can reach the seeds. This sustains the seed’s ability to stay viable for as long as its’ DNA will allow.

Clay Tunes: Conducting Ceramics Classes with Music Music Music

This new 2022 image is a collage of some of my Illustrations in Clay and Porcelain. I am now conducting musical ceramic workshops for children, bringing me such joy. As a singer in a Boston area Swing Band,  I specialize in lovely songs by my favorite Irving Berlin  and the brothers George and Ira Gershwin, and […]

A collage of my many music-inspired porcelain and clay illustrations showing my favorite ceramic techniques, used in my work. The images show off my skills for teaching children in my "Clay Tunes" classes after school. I play classical music and Jazz to inspired their creativity.

TORTILLA SOCIAL

Tortilla Social is a multi-faceted, mobile printing presses that will engage audiences through various artistic and cultural functions, converting any spaces into hubs for art workshops and gastronomic explorations.

All Together Now

All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glaze fired […]

All three pieces were created after sketches I always create in my program guides at Boston Symphony Concerts. All these porcelain screened images were created in Denmark at the wonderful International Ceramic Research Center, Guldagergaard during my 2 residencies in 2011, and during my second residency in 2012, when I made the nesting pitchers with in-glaze, twice glazed fired transfer decals. The nesting pitchers, are my own designs, first created in plaster, then cast from positive plaster forms for slip casting. Silkscreens of my sketches were screened directly on the 2 orchestra pieces. The violinist is Pinchus Zuckerman, conductor is me, with my creative license. At the piano with the singer image, the soprano is Renee Fleming. The 2 screened images are included in the "500 Prints on Clay" Lark publication ©2013. The nesting pitchers were included in an ICAN ceramic calendar.

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  • © Artaxis Organization Inc. 2005-2026

    © Artaxis Organization Inc. 2005-2026